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The second volume of the Sherwood At The Controls compilation series focuses on Adrian Sherwood productions recorded and released between 1985 and 1990. Predictably, it's another fine set, once again showcasing the On U-Sound chief's ability to fuse his love of dub sounds and production with all manner of (then) contemporary dancefloor sounds.

Still, this is almost as crucial as the preceding volume and Science Fiction Dancehall Classics, the Sherwood/On-U Sound-centric package compiled by Trevor Jackson.

The texture is Sherwood through and through, with the producer bringing that inimitable On-U Sound flair to each and every production he touches

Mind At The End Of The Tether. Don't Forget That Beat. The Value Of Nothing. Masimbabele 89. These Sounds.

Still very active in the studio and as a touring artist, he has recently released a collaborative album with Bristol dubstep don Pinch, remixed Peaking Lights, and produced albums by Roots Manuva, Nisennenmondai and Coldcut.

Sherwood at the Controls, Volume 2: 1985-1990 Contents.

Various Artists Sherwood At The Controls Volume 2: 1985-1990 On-U Sound. Following the first At The Controls compilation – which showed off Adrian Sherwood’s mastery in marrying dub and post-punk between 1979-85 – comes the second volume, which unearths some arguably lesser-known productions and remixes from the On-U Sound label head. An undercurrent of afrofuturism often surfaces, and many passages are reminiscent of Brian Eno and David Byrne’s 1981 album My Life In The Bush Of Ghosts (cited as direct inspiration for the African Head Charge project) but Sherwood’s explorations are motivated by passion and approached with respect.

Featuring Lee ‘Scratch’ Perry, Ministry, Tackhead, KMFDM and more. Adrian Sherwood will follow-up the brilliant volume one, which collected his ‘79–‘84 productions and remixes with Sherwood At The Controls Volume 2: 1985 – 1990. Lee ‘Scratch’ Perry, Ministry, Tackhead, KMFDM, Dub Syndicate and African Head Charge all feature