Karl Amadeus Hartmann:.

Karl Amadeus Hartmann:.

Concerto funebre (Funereal Concerto) is a violin concerto by the German composer Karl Amadeus Hartmann.

Karl Amadeus Hartmann (1905-1963): Symphonie concertante (Sinfonia . ) (1950) - chester diretta da Günther Herbig. I. Toccata (lebhaft).

5, 6 and 8, an album by Karl Amadeus Hartmann, Günther Herbig, Berliner Symphoniker, Leipzig Radio Symphony Orchestra, Herbert Kegel on this site.

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Karl Amadeus Hartmann: Sinfonia tragica, Concerto for viola and piano. by Karl Amadeus Hartmann and Marek Janowski. Karl Amadeus Hartmann:. by Michael Kraus and Egbert Junghanns.

Karl Amadeus Hartmann (2 August 1905 – 5 December 1963) was a German composer. Sometimes described as the greatest German symphonist of the 20th century, he is now largely overlooked, particularly in English-speaking countries. Born in Munich, the son of Friedrich Richard Hartmann, and the youngest of four brothers of whom the elder three became painters, Hartmann was himself torn, early in his career, between music and the visual arts

Karl Amadeus Hartmann (August 2, 1905 Munich – December 5, 1963 Munich) was a German composer. Some have lauded him as the greatest German symphonist of the 20th century. Perhaps the most well-known is his Symphony No. 1, titled "Attempt at a requiem" (Versuch eines Requiems). This work began in 1936 as a cantata for alto solo and orchestra, loosely based on a few select poems by Walt Whitman.

Karl Amadeus Hartmann was born on 2 August 1905 in Munich and came into contact with art and music at an early stage. He studied trombone and composition at the Staatliche Akademie der Tonkunst in Munich from 1924 to 1929. Hartmann presented his first composition which displayed influences of jazz, Dadaism, persiflage technique and New Objectivity within the framework of the Opera Studio at the Bavarian State Opera. Hartmann’s attempt to acquaint the audiences not only with classical modern works but also contemporary music by young composers became the guiding concept of the musica viva concerts which Hartmann organised right up until his death. The apocalyptic vision of the Gesangsszene for baritone and orchestra on texts from Sodom and Gomorrha remained unfinished and was published posthumously. Hartmann died on 5 December 1963.