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Adapted from the Art of the Acoustic Steel String Guitar 6 & 12 liner notes. Robbie Basho – acoustic guitar, vocals. William Ackerman – production. Ron Cook – executive producer. Ron May – cover art. Dennis Reed – recording, mixing.

Il secondo in particolare rappresenta la summa di quello che era per Basho un obiettivo dichiarato, ovvero far diventare la chitarra acustica (con le corde metalliche) uno strumento da concerto nativo dell'America così come la chitarra classica (con le corde di nylon) lo è per l'Europa. Il resto dell'album è completamente strumentale, e comprende alcune composizioni già registrate in precedenza, come "The Grail and the Lotus," sull'album omonimo del 1966, e "Cathedral Et Fleur de Lis," da Venus in Cancer del 1969. Quest'ultima, per chitarra 12-corde, è una delle più belle composizioni per chitarra mai scritte, assolutamente unica e dal fascino particolare. Personnel: Robbie Basho: chitarra acustica 6 & 12 corde, voce. Title: The Art of the Acoustic Steel String Guitar 6&12 Year Released: 2015 Record Label: Grass-tops Recording.

Composed By, Guitar – Robbie Basho. Design – Anne Robinson (2). Executive-Producer – Ron Cook (2). Photography By – Ron May (2). Producer – William Ackerman. Recorded By, Mixed By – Dennis Reed. Other Versions (5 of 5) View All. Cat.Art Of The Acoustic Steel String Guitar 6 & 12 ‎(CD, Album, RE, RM). Grass-Tops Recording, Sony Music Commercial Music Group, Windham Hill Records.

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Along with acoustic guitar innovators John Fahey and Leo Kottke, Basho is known for his work on the Takoma label. Longtime fan William Ackerman signed Basho to his fledgling Windham Hill label in the late '70s and this resulting album is a little less esoteric than his previous efforts, but no less exotic. Basho had always been heavily influenced by the music of India, specifically Ravi Shankar, and this time around there's also a healthy dose of Western classical influences. Variations on Clare de Lune" is a highlight, along with a reprise of his 1967 "The Grail and.

Acoustic steel-string guitar maestro Robbie Basho’s 1979 album Art of the Acoustic Steel String Guitar 6 & 12 will be reissued next October. The LP has long been out of print, acquiring a collector’s item status that sadly precluded one of Basho’s finest musical moments from being heard. The Baltimore-born guitarist made his name as part of the triumvirate upon which Takoma label’s reputation was built. Though, being relatively less influenced by country blues, Basho’s music is closer in spirit to Sandy Bull’s, rather than his labelmates Leo Kottke or John Fahey. This was Basho’s second.

Variations on Clair de Lune Originally released in 1979, "Art of the Acoustic Steel String Guitar 6 & 12" was Robbie Basho's 15th record, and his magnum opus of solo guitar. It is the culmination of his life's effort to usher guitar music into a new artistic paradigm, and to "establish the steel string as a concert instrument indigenous to America. This album represents Basho’s most technically fine guitar work. In both composition and performance, the album is enormously complex and yet conveys an effortlessness unique to Basho. As he famously espoused, My.

This album represents Basho’s most technically fine guitar work. As he famously espoused, My philosophy is quite simple: soul first, technique later. The richness of Basho's soul emanates from this record as distinctly as each note ringing from his steel strings.