Complete your Tom Zé collection.

And thus he remains one step ahead of the curve. On Com Defeito De Fabricação (Fabrication Defect), his long-awaited third missive, the man from the Brazilian hinterlands once again parries every thrust of a technological society on a rampage - but doesn’t forget the groove.

Fabrication Defect (Com Defeito de Fabricação 1998 Luaka Bop-Warner Bros. 946953-2) is a concept album by Tom Zé. It tells a story in which the people of the third world are turned into androids by the economic exploitation of the first world. to think will always be considered an effrontery.

A concept album by Brazilian experimentalist Tom Zé, 1998's Com Defecto de Fabricacao (Fabrication Defect) is strikingly akin to some early Funkadelic albums philosophically, although not at all musically. Lyrically, Zé makes his points both directly and through sly, witty metaphors like "Defect 6: Esteticar," a cockeyed defense of plagiarism as an artistic tool puckishly set to the most blandly commercial example of '60s vintage bossa nova imaginable

Com Defeito de Fabricação. Posts about Com Defeito de Fabricação. lt;p

Com Defeito de Fabricação Fabrication Defect. Defeito 2: Curiosidade. Defeito 3: Politicar.

Tom Zé (Portuguese pronunciation: ; born Antônio José Santana Martins, 11 October 1936 in Irará, Bahia, Brazil) is a songwriter, t, and composer who was influential in the Tropicália movement of 1960s Brazil. After the peak of the Tropicália period, Zé went into relati. ore . Year: 1998.

Defeito de Fabricação.

By Tom Zé. 1998, 16 songs. 1. Defeito 1: O Gene. 2. 3. More Tom Zé. Listen to Com Defeito de Fabricação, Fabrication Defect now. Listen to Com Defeito de Fabricação, Fabrication Defect in full in the this site app. Play on this site.

Although the songs are no less tuneful/grooveful for their latest batch of odd rhythms and found harmonies, I was distracted by the amelodic spareness of three or four, all of which I now savor, especially the one with the (is that?) forro accordion. In a world where the poor are rationalized into "civilized trash," "androids" reduced to their economic functions and dysfunctions, Zé insists on the vitality of the technological