The Pierre Boulez Domaine Musical Ensemble: Vier Lieder for voice and orchestra (1914–18): Ein Winterabend, Diaphonies, Five Pieces for orchestra, Op. 10 (1911–13): V. Sehr fließend и другие песни.

Les Concerts Du Domaine Musical - IV Concert Saison 1956 Petit Théâtre Marigny. Composition dates: A1-A2: 1928, A3: 1911-12, A4-A7: 1916, A8: 1955, B1: 1953, B2-B4. Présence De La Musique Contemporaine Série Artistique.

Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to provide opportunities for new music, after a general musical migration from Germany and Austria to Paris in the wake of those countries' legacy of war-torn decades without music. Le Domaine Musical created an exciting milieu in which the best and most innovative in music and other arts could congregate: it was a springboard for creativity, stimulating new ideas and alliances. Jean Cocteau attended the first concert, resplendent in flowing cape. Doxy presents a reissue of Les Concerts du Domaine Musical, originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973.

Pierre Boulez, Solistes du Domaine Musical. Luigi Nono (1924 - 1990). 2. Incontri, Pour 24 Instruments. Pierre Boulez, Orchestre Du Domaine Musical. Hans Werner Henze (1926 - 2012). 3. Concerto Per Il Marigny. Yvonne Loriod, Rudolf Albert, Orchestre Du Domaine Musical. Pierre Boulez, Solistes du Domaine Musical. Anton Webern (1883 - 1945). 2 Songs o. for voice and eight instruments. 6. 1. "Du, der ich's nicht sage" Langsam. Pierre Boulez, Orchestre Du Domaine Musical, Jeanne Héricard. 7. "Du machst mich allein" Sehr langsam. Total Playing Time 1:10:06. CD 9: IIIè concert - Saison 1956. Giovanni Gabrieli (1553 - 1612).

The Domaine musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Composers represented at its concerts included Boulez, Karlheinz Stockhausen, Olivier Messiaen, Luciano Berio, John Cage, Sylvano Bussotti, Mauricio Kagel, Hans Werner Henze, Henri Pousseur, Ernst Krenek, Gilbert Amy, Peter Schat and Gilles Tremblay, Betsy Jolas as well as earlier composers considered part of the Modernist movement in music.

Les Concerts du Domaine Musical: IVe Concert-Saison 1956. Anton Webern: Symphonie op. 21; Deux Lieder, op. 8; Quatre Lieder, op. 13. Luigi Nono: Incontri. Karlheinz Stockhausen: Kontra-Punkte. Pierre Boulez: Le marteau sans maitre. Solistes du Domaine Musical; Pierre Boulez, cond. LP recording, 1 sound disc: 33⅓ rpm, monaural, 30 cm. Series: Présence de la musique contemporaine: Serie artistique. Vega C 30 A 66. : Vega, 1956. Reissued on CD1 of: Pierre Boulez: Le Domaine Musical, 1956–1967. Vol. CD recording, 5 sound discs: digital, mono, stereo, 12 cm. Accord 476 9209 (set): 476 8858, 476 8859, 476 8860, 476 8861, 476 9210.

In 1954 Pierre Boulez began a series of new-music concerts in Paris, presenting them in the Théatre Marigny, where he worked as music director for Jean-Louis Barrault's theatre company. These two fascinating four-disc sets document the history of the Domaine Musical with a mixture of live concert recordings and studio sessions based upon Marigny performances, many of them conducted by Boulez himself.

Les Concerts Du Domaine Musical - IVe Concert - Saison 1956- Karlheinz Stockhausen : Kontrapunkte (1953), Luigi Nono : Incontri (1955), Pierre Boulez : Le Marteau sans Maitre (1955, excerpts), Anton Webern : Symphonie o. 1 (1928); Deux Lieder o. (1912); Quatre Lieder o. 3 (1916) label & cat. n. These historic performances date from a time when a young Stockhausen and Boulez were exploding the ideas of serialism and atonality into a newer and more radically experimental music while regarding Webern as their chief influence. Webern studied serialist/12-tone compositional methods alongside Alban Berg under Arnold Schoenberg and became influential to postwar composers like John Cage, Morton Feldman, Luigi Nono, and Milton Babbitt.

Karlheinz Stockhausen: Kontra-Punkte Solistes du Domaine musical Pierre Boulez, conductor Original release, 1956. Luciano Berio: Serenata I Severino Gazzeloni, flute Solistes du Domaine musical Pierre Boulez, conductor Original release, 1956. Luigi Nono: Incontri Orchestre du Domaine musical Pierre Boulez, conductor Original release, Vega, 1956. These concerts set new standards of performance technique and score interpretation in radical new works such as Boulez's Le Marteau sans maitre, Structures Book 1 (played by the Kontarskys), the Second Piano Sonata, Stockhausen's Klavierstucke (N. here played by David Tudor) and Kontra-Punkte O. (premiered at the inaugural concert) - all now Classics of the 20th Century repertoire.